| Origin | Haiti, France |
| Style | Rebellious Caribbean blues-rock from voodoo queen priestess - the Haitian Patty Smith |
| Label | Ma Case Prod |
| Album | Wayo (2023) |
| Territory | Germany, Austria, Switzerland, Czech Republic, Slovakia, Hungary. |
| Booking | Heiko Jas |
No shows booked at the moment.
Rebellious Caribbean blues-rock from voodoo queen priestess.
A primal scream, a mystifying and mystical musical mixture, almost shamanic, an incantation of liberation in the midst of raging guitars and propulsive drumming.
“the Caribbean Patti Smith” (The Guardian - UK)
“a punky voodoo queen” (FRoots - UK)
“guitar guns & Caribbean fever” (Lylo - FR)
As a longtime favorite of Martin Gore (Depeche Mode) and Iggy Pop, the Haitian vodou priestess Moonlight Benjamin explores the roots of blues and rock in her latest release. Carried by a deeper and darker sound, and by the unique voice of Moonlight, influenced by Alabama Shakes, Oumou Sangaré, and Dr John, the album Wayo is a primal scream, a mystifying and mystical musical mixture, almost shamanic, an incantation of liberation in the midst of raging guitars and propulsive drumming.
Nicknamed “The Caribbean Patti Smith” by The Guardian (UK), Moonlight Benjamin plays a powerful and original music blending Caribbean voodoo melodies and a 70s blues rock inspired by Dr John, Alabama Shakes, the Black Keys or Oumou Sangaré …
The encounter between Moonlight's powerful and rebellious voice, and the tension of saturated guitars, turns the voodoo trance into a new and explosive style.
Between 2018 and 2021, she’s been named by Martin Gore (Depeche Mode) as his 2020 favorite, been airplayed by Iggy Pop himself at the BBC, been featured on both Songlines and FRoots magazine's cover (Uk), and reviewed by major media such as The Guardian (Uk), The financialTimes (Uk), The NY Times (US) … She also performed 65 gigs in 2019 in 15 countries, on major festivals or venues in Europe and North America.
References: Sziget Festival (Hu) , Lowlands Festival (Nl), Colors of Ostrava (Cz), Shambala Festival (Uk), New Orleans Heritage Festival (Usa), Fusion Festival (De), Celtic Connections (Uk), Rio Loco (Fr), Jova Beach Party (It), … 150 gigs in 17 countries since 2018
Moonlight Benjamin’s new show / third album “Wayo” is a spellbinding ‘cry of pain’ which showcases her thundering vocals and lyrical themes on faith, energy and our connection to the source. These new songs from Haiti’s Vodou priestess delve deep, immersing her philosophical messages in heavy blues rapture, killer riffs and hand-clapping, foot-stomping percussion with influences as far reaching as Dr John, Malian singer Oumou Sangare and Alabama Shakes.
Making her mark in 2018 with her exhilarating debut album, Siltane, followed in 2020 by the explosive Simido, Moonlight Benjamin returns with Wayo, a hard-hitting, blues-infused, whirlwind of a record from the ‘Vodou Priestess of Blues-Rock’. Working alongside long-time collaborator Matthis Pascaud, Wayo marries Moonlight’s electrifying vocals with Pascaud’s heavily saturated guitar riffs, this time enlisting the help of producer and percussionist, Raphaël Chassin (known for his work with the likes of Joon Moon, Hugh Coltman, Vanessa Paradis and Salif Keita), adding a fresh twist to the album’s rhythmic presence.
Haut là haut, the first single from the album, is bewitching. Released at the end of 2022, Moonlight will be performing it for a Tiny Desk concert as part of New York’s globalFEST in January where she has been invited to take part for the festival’s 20th anniversary, which will also double up as a first public listen/watch of other tracks from the new record.
The album title, Wayo translates from Haitian creole to ‘cry of pain’. Much like the beginnings of blues music itself, born of resilience in the face of adversity, the songs on this album are powerful, cathartic and intense.
“It’s about asking a spiritual guide for help when life is at an impasse and you can’t cope” which as Moonlight sees as necessary to “move forward”.
Her mystifying musical blend — likened to Alabama Shakes or The Black Keys meets Angelique Kidjo — has gained her international recognition; touring and playing for festivals on both sides of the Atlantic, Moonlight has received airplay from DJs Iggy Pop and Cerys Matthews and was a cover star of Songlines Magazine.
Until now, Moonlight’s muse has always been her motherland, the Carribean island of Haiti, but on Wayo, the Vodou priestess changes her tune; “There are still a few songs about Haiti, of course, but the writing, the story, the common thread in this album, it’s more universal. It deals more with the philosophical side of things… Our anchoring to the earth, our connection to the source.”
Born to Voodoo parents in Haiti’s Port au Prince, Moonlight Benjamin spent her childhood in a Roman Catholic orphanage where she was adopted by Reverend Doucet Alvarez after her own mother died in childbirth. Raised on gospel music, it was only in her late teens that she began to explore her Vodou roots, before leaving Haiti in 2002 to begin jazz training in France. It was in 2017 that Moonlight met artistic director and guitarist, Matthis Pascaud, the collaboration from which her unique, volcanic sound was born.
The unanticipated musical combination which put her on the map has undergone quite a transformation since the duo’s collaboration began. Siltane, composed in both French and Creole, alternated the classic rock band set up with traditional drums and stripped-back, Vodou-inspired chants; Simido did away with the assortment of styles, zeroing in on the winning formula of Moonlight’s signature Creole vocals over pure, unadulterated rock. Now on Wayo, she delves into a deeper sound, tracing the rock genre back to its roots: blues music.
Bafon, the album’s second official single, is a bold message of hope; Moonlight’s defiant vocals recount the story of Baron, spirit guardian of the dead and master of the cemetery, as he addresses the grieving masses present for Haiti’s funeral to announce that she is not dead, that Haiti still carries life within her.
Taye Banda transports us with its foot-stomping, frantic drums, driving home the message that it is our thoughts that create reality — the power to make or break, the power to cultivate positivity, lies in our minds.
The lilting riffs on Ouvé Lesprit pull us into a lighter, uplifting tonality, the lyrics imploring us to open our minds to change.
PRESS quotes
“She has reinvented 1970s blues-rock as a distinctively Haitian sound, with vodou-inspired rhythms and invocations to the loas”
★ ★ ★ ★ Financial Times
"Haiti’s Moonlight Benjamin generates one powerful sound"
★ ★ ★ ★ Evening Standard
"Soul blues mama & punky rock queen at the same time. Impressive"
★ ★ ★ ★ ★ FRoots (Album Choice)
"The tradition of voodoo folklore in thundering electric beats"
★ ★ ★ ★ Songlines (Top of the World selection)
"An intriguing, exciting and unforgettable experience"
★★★★ Rock'n'Reel (RNR)
“The music she has swirled up here is a kind of incantatory rock and roll that comes on like Black Keys being filtered through a blues-woozy filter”
Crack
Rebellious Caribbean blues-rock from voodoo queen priestess.
A primal scream, a mystifying and mystical musical mixture, almost shamanic, an incantation of liberation in the midst of raging guitars and propulsive drumming.
“the Caribbean Patti Smith” (The Guardian - UK)
“a punky voodoo queen” (FRoots - UK)
“guitar guns & Caribbean fever” (Lylo - FR)
| Origin | Haiti, France |
| Style | Rebellious Caribbean blues-rock from voodoo queen priestess - the Haitian Patty Smith |
| Label | Ma Case Prod |
| Album | Wayo (2023) |
| Territory | Germany, Austria, Switzerland, Czech Republic, Slovakia, Hungary. |
| Booking | Heiko Jas |
No shows booked at the moment.
As a longtime favorite of Martin Gore (Depeche Mode) and Iggy Pop, the Haitian vodou priestess Moonlight Benjamin explores the roots of blues and rock in her latest release. Carried by a deeper and darker sound, and by the unique voice of Moonlight, influenced by Alabama Shakes, Oumou Sangaré, and Dr John, the album Wayo is a primal scream, a mystifying and mystical musical mixture, almost shamanic, an incantation of liberation in the midst of raging guitars and propulsive drumming.
Nicknamed “The Caribbean Patti Smith” by The Guardian (UK), Moonlight Benjamin plays a powerful and original music blending Caribbean voodoo melodies and a 70s blues rock inspired by Dr John, Alabama Shakes, the Black Keys or Oumou Sangaré …
The encounter between Moonlight's powerful and rebellious voice, and the tension of saturated guitars, turns the voodoo trance into a new and explosive style.
Between 2018 and 2021, she’s been named by Martin Gore (Depeche Mode) as his 2020 favorite, been airplayed by Iggy Pop himself at the BBC, been featured on both Songlines and FRoots magazine's cover (Uk), and reviewed by major media such as The Guardian (Uk), The financialTimes (Uk), The NY Times (US) … She also performed 65 gigs in 2019 in 15 countries, on major festivals or venues in Europe and North America.
References: Sziget Festival (Hu) , Lowlands Festival (Nl), Colors of Ostrava (Cz), Shambala Festival (Uk), New Orleans Heritage Festival (Usa), Fusion Festival (De), Celtic Connections (Uk), Rio Loco (Fr), Jova Beach Party (It), … 150 gigs in 17 countries since 2018
Moonlight Benjamin’s new show / third album “Wayo” is a spellbinding ‘cry of pain’ which showcases her thundering vocals and lyrical themes on faith, energy and our connection to the source. These new songs from Haiti’s Vodou priestess delve deep, immersing her philosophical messages in heavy blues rapture, killer riffs and hand-clapping, foot-stomping percussion with influences as far reaching as Dr John, Malian singer Oumou Sangare and Alabama Shakes.
Making her mark in 2018 with her exhilarating debut album, Siltane, followed in 2020 by the explosive Simido, Moonlight Benjamin returns with Wayo, a hard-hitting, blues-infused, whirlwind of a record from the ‘Vodou Priestess of Blues-Rock’. Working alongside long-time collaborator Matthis Pascaud, Wayo marries Moonlight’s electrifying vocals with Pascaud’s heavily saturated guitar riffs, this time enlisting the help of producer and percussionist, Raphaël Chassin (known for his work with the likes of Joon Moon, Hugh Coltman, Vanessa Paradis and Salif Keita), adding a fresh twist to the album’s rhythmic presence.
Haut là haut, the first single from the album, is bewitching. Released at the end of 2022, Moonlight will be performing it for a Tiny Desk concert as part of New York’s globalFEST in January where she has been invited to take part for the festival’s 20th anniversary, which will also double up as a first public listen/watch of other tracks from the new record.
The album title, Wayo translates from Haitian creole to ‘cry of pain’. Much like the beginnings of blues music itself, born of resilience in the face of adversity, the songs on this album are powerful, cathartic and intense.
“It’s about asking a spiritual guide for help when life is at an impasse and you can’t cope” which as Moonlight sees as necessary to “move forward”.
Her mystifying musical blend — likened to Alabama Shakes or The Black Keys meets Angelique Kidjo — has gained her international recognition; touring and playing for festivals on both sides of the Atlantic, Moonlight has received airplay from DJs Iggy Pop and Cerys Matthews and was a cover star of Songlines Magazine.
Until now, Moonlight’s muse has always been her motherland, the Carribean island of Haiti, but on Wayo, the Vodou priestess changes her tune; “There are still a few songs about Haiti, of course, but the writing, the story, the common thread in this album, it’s more universal. It deals more with the philosophical side of things… Our anchoring to the earth, our connection to the source.”
Born to Voodoo parents in Haiti’s Port au Prince, Moonlight Benjamin spent her childhood in a Roman Catholic orphanage where she was adopted by Reverend Doucet Alvarez after her own mother died in childbirth. Raised on gospel music, it was only in her late teens that she began to explore her Vodou roots, before leaving Haiti in 2002 to begin jazz training in France. It was in 2017 that Moonlight met artistic director and guitarist, Matthis Pascaud, the collaboration from which her unique, volcanic sound was born.
The unanticipated musical combination which put her on the map has undergone quite a transformation since the duo’s collaboration began. Siltane, composed in both French and Creole, alternated the classic rock band set up with traditional drums and stripped-back, Vodou-inspired chants; Simido did away with the assortment of styles, zeroing in on the winning formula of Moonlight’s signature Creole vocals over pure, unadulterated rock. Now on Wayo, she delves into a deeper sound, tracing the rock genre back to its roots: blues music.
Bafon, the album’s second official single, is a bold message of hope; Moonlight’s defiant vocals recount the story of Baron, spirit guardian of the dead and master of the cemetery, as he addresses the grieving masses present for Haiti’s funeral to announce that she is not dead, that Haiti still carries life within her.
Taye Banda transports us with its foot-stomping, frantic drums, driving home the message that it is our thoughts that create reality — the power to make or break, the power to cultivate positivity, lies in our minds.
The lilting riffs on Ouvé Lesprit pull us into a lighter, uplifting tonality, the lyrics imploring us to open our minds to change.
PRESS quotes
“She has reinvented 1970s blues-rock as a distinctively Haitian sound, with vodou-inspired rhythms and invocations to the loas”
★ ★ ★ ★ Financial Times
"Haiti’s Moonlight Benjamin generates one powerful sound"
★ ★ ★ ★ Evening Standard
"Soul blues mama & punky rock queen at the same time. Impressive"
★ ★ ★ ★ ★ FRoots (Album Choice)
"The tradition of voodoo folklore in thundering electric beats"
★ ★ ★ ★ Songlines (Top of the World selection)
"An intriguing, exciting and unforgettable experience"
★★★★ Rock'n'Reel (RNR)
“The music she has swirled up here is a kind of incantatory rock and roll that comes on like Black Keys being filtered through a blues-woozy filter”
Crack
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