| Origin | Argentina, Mexico |
| Style | SingerSongwriter-Guitar-ModernLatinAmericanFolk-Blues |
| Label | |
| Album | Lo Azul sobre Mi (release early 2020!) |
| Territory | Europe |
| Booking | Heiko Jas and Basti Hofmann |
No shows booked at the moment.
Loli Molina, born 1986 in Buenos Aires, Argentina, and now based in Mexiko City is a guitarist, singer, songwriter, producer and visual artist whose influences go from Latin American folkloric music to blues, to early guitar music and almost everything in between. Her performances around the world encompass strength and delicacy, a restless mind, a virtuosic guitar and a sensitive voice that dives into the deep and gently invites everyone in the room to do so as well.
Loli Molina, born 1986 in Buenos Aires, Argentina, and now based in Mexiko City is a guitarist, singer, songwriter, producer and visual artist whose influences go from Latin American folkloric music to blues, to early guitar music and almost everything in between. Her performances around the world encompass strength and delicacy, a restless mind, a virtuosic guitar and a sensitive voice that dives into the deep and gently invites everyone in the room to do so as well.
From her first album (2008) until now, she has toured stages and festivals in Latin America, North America and Europe, and has played and recorded with Latin American contemporary music references such as Fito Páez, Fernando Cabrera, Chico Cesar, Juan Quintero, Kevin Johansen, Santiago Vázquez, El David Aguilar, To Brandileone and many more; She has participated as session musician for groups like Kinky on their MTV Unplugged, and composes original music for film and television.
Winner of an MTV award and nominated repeatedly for the Gardel Awards, Loli has been part of the symphonic tributes to Gustavo Cerati and Violeta Parra among other major projects.
"I don't think you can put art in specific boxes, that's why I like to say that my music is guitar music that is sung," says Loli Molina.
Her newest, and fourth, studio album titled "Lo Azul Sobre Mi" will be out in the world in November 2019, released independently and will have an early European release in 2020. The new album was recorded in Mexico City and Buenos Aires; produced by the winner of a Latin Grammy, Hernan Hecht, and composed of 10 original compositions and a version of the composer Edgardo Cardozo. The instrumentation is minimalist - Spanish guitarist, string quartet arranged by Ramiro Flores, electric guitar, voice, and Juan Quintero and Álvaro Ruiz in voice as stellar guests,
"In these compositions I wanted to return to the root of many things that I have studied and that I am, and also i wanted to honor and interpret musical ideas that appeal deeply to me: Latin American folklore, blues, ancient music for guitar."
""Lo Azul Sobre Mi" is an album that looks at death through different crystals: death as the end of things, death as a transit to other forms and death as the beginning of life. All these songs are dedicated to the beauty of life and the beauty of the questions that have no answer. I sing and play as a way to inhabit this space in the time that touches me."
Loli Molina has received support from Gibson and Taylor guitar brands, as well as Earthquakes Devices and Reunion Blues. She is based in Mexico, where in addition to working as a musician she is dedicated to collage as a visual discipline.
"Loli Molina left the limiting "pop promise" label and put herself amongst accomplished and audacious guitar players and songwriters" (Belen Fourment, El Pais (Uruguay))
Chico Cesar, Brazil: "We are enchanted when we hear how her songs appear, they shine and we are deeply touched when we hear her play guitar and sing."
"Loli Molina, a curious case amongst songwriters, finds herself much more comfortable as a guitar player and composer than just a performer of her own songs. She was "discovered" at a very young age by Sony Music but after two albums she left the company looking for creative freedom and a new path. Then came Rubí, her third studio album, the work of an accomplished artist, a caged animal that had been in captivity for long and worked her its way back to the wild." (La Nación, Argentina)
Loli Molina, born 1986 in Buenos Aires, Argentina, and now based in Mexiko City is a guitarist, singer, songwriter, producer and visual artist whose influences go from Latin American folkloric music to blues, to early guitar music and almost everything in between. Her performances around the world encompass strength and delicacy, a restless mind, a virtuosic guitar and a sensitive voice that dives into the deep and gently invites everyone in the room to do so as well.
| Origin | Argentina, Mexico |
| Style | SingerSongwriter-Guitar-ModernLatinAmericanFolk-Blues |
| Label | |
| Album | Lo Azul sobre Mi (release early 2020!) |
| Territory | Europe |
| Booking | Heiko Jas and Basti Hofmann |
No shows booked at the moment.
Loli Molina, born 1986 in Buenos Aires, Argentina, and now based in Mexiko City is a guitarist, singer, songwriter, producer and visual artist whose influences go from Latin American folkloric music to blues, to early guitar music and almost everything in between. Her performances around the world encompass strength and delicacy, a restless mind, a virtuosic guitar and a sensitive voice that dives into the deep and gently invites everyone in the room to do so as well.
From her first album (2008) until now, she has toured stages and festivals in Latin America, North America and Europe, and has played and recorded with Latin American contemporary music references such as Fito Páez, Fernando Cabrera, Chico Cesar, Juan Quintero, Kevin Johansen, Santiago Vázquez, El David Aguilar, To Brandileone and many more; She has participated as session musician for groups like Kinky on their MTV Unplugged, and composes original music for film and television.
Winner of an MTV award and nominated repeatedly for the Gardel Awards, Loli has been part of the symphonic tributes to Gustavo Cerati and Violeta Parra among other major projects.
"I don't think you can put art in specific boxes, that's why I like to say that my music is guitar music that is sung," says Loli Molina.
Her newest, and fourth, studio album titled "Lo Azul Sobre Mi" will be out in the world in November 2019, released independently and will
have an early European release in 2020. The new album was recorded in Mexico City and Buenos Aires; produced by the winner of a Latin Grammy, Hernan Hecht, and composed of 10 original compositions and a version of the composer Edgardo Cardozo. The instrumentation is minimalist - Spanish guitarist, string quartet arranged by Ramiro Flores , electric guitar, voice, and Juan Quintero and Álvaro Ruiz in voice as stellar guests,
"In these compositions I wanted to return to the root of many things that I have studied and that I am, and also i wanted to honor and interpret musical ideas that appeal deeply to me: Latin American folklore, blues, ancient music for guitar."
""Lo Azul Sobre Mi" is an album that looks at death through different crystals: death as the end of things, death as a transit to other forms and death as the beginning of life. All these songs are dedicated to the beauty of life and the beauty of the questions that have no answer. I sing and play as a way to inhabit this space in the time that touches me."
Loli Molina has received support from Gibson and Taylor guitar brands, as well as Earthquakes Devices and Reunion Blues. She is based in Mexico, where in addition to working as a musician she is dedicated to collage as a visual discipline.
"Loli Molina left the limiting "pop promise" label and put herself amongst accomplished and audacious guitar players and songwriters" (Belen Fourment, El Pais (Uruguay))
Chico Cesar, Brazil: "We are enchanted when we hear how her songs appear, they shine and we are deeply touched when we hear her play guitar and sing."
"Loli Molina, a curious case amongst songwriters, finds herself much more comfortable as a guitar player and composer than just a performer of her own songs. She was "discovered" at a very young age by Sony Music but after two albums she left the company looking for creative freedom and a new path. Then came Rubí, her third studio album, the work of an accomplished artist, a caged animal that had been in captivity for long and worked her its way back to the wild." (La Nación, Argentina)
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